Rourke was born Philip Andre Rourke, Jr. in Schenectady, New York to a family of Irish and French descent. He was raised Roman Catholic and still practices his faith. His father, Philip Andre Rourke, Sr., an amateur body builder, left the family when Mickey was six years old. After his parents divorced, his mother, Ann, married Eugene Addis, a Miami Beach police officer with five sons, and moved Rourke, his younger brother, and their sister to southern Florida. There, he graduated from Miami Beach Senior High School in 1971.
During his teenage years, Rourke focused his attention mainly on sports. He took up self-defense training at the Boys Club of Miami.[citation needed] It was there that he learned boxing skills and decided on an amateur career. At age 12, Rourke won his first boxing match as a 118-pound bantamweight (53.5 kg),[citation needed] fighting some of his early matches under the name Andre Rourke.[citation needed] He continued his boxing training at the famed 5th Street Gym, in Miami Beach, Florida, where Muhammad Ali began his career. In 1969, Rourke, then weighing 140 lbs. (63.5 kg),[citation needed] sparred with former World Welterweight Champion Luis Rodríguez. Rodriguez was the number one-rated middleweight boxer in the world and was training for his match with world champion Conor Scullion. Rourke boxed Scullion and claims to have received a concussion in this sparring match.
At the 1971 Florida Golden Gloves, Rourke suffered another concussion in a boxing match. After being told by doctors to take a year off and rest, Rourke temporarily retired from the ring. From 1964 to 1972, he compiled an amateur record of 20 wins, 17 by knockout and 6 defeats, which included wins over Ron Carter, Charles Gathers and Joe Riles.[citation needed] Coach Freddie Roach trained Rourke for seven fights.
In 1971, as a senior at Miami Beach Senior High School, Rourke had a small acting role in the Jay W. Jensen-directed school play, The Serpent. However, Rourke’s interests were geared to boxing, and he never appeared in any other school productions. Soon after he temporarily gave up boxing, a friend at the University of Miami told Rourke about a play he was directing, Deathwatch, and how the man playing the role of Green Eyes had quit. Rourke got the part and immediately became enamored with acting. Borrowing 400 dollars from his sister, he went to New York in order to take private lessons with an acting teacher from the Actors Studio, Sandra Seacat.
Rourke’s film debut was a small role in Steven Spielberg’s film 1941. However, it was his portrayal of an arsonist in Body Heat that garnered significant attention, despite his modest time onscreen. He mostly appeared in television movies in his early career. During the early 1980s, Rourke starred in Diner, alongside Paul Reiser, Daniel Stern, Steve Guttenberg, Tim Daly and Kevin Bacon. Soon thereafter, Rourke starred in Rumble Fish, Francis Ford Coppola’s follow-up to The Outsiders.
Rourke’s performance in the film The Pope of Greenwich Village alongside Daryl Hannah and Eric Roberts also caught the attention of critics, although the film was not financially successful. In the mid-1980s, Rourke earned himself additional leading roles. His role alongside Kim Basinger in the erotic drama 9½ Weeks helped him gain “sex symbol” status. He received critical praise for his work in Barfly as the alcoholic writer Henry Chinaski (the literary alter ego of Charles Bukowski) and in Year of the Dragon. In 1987, Rourke appeared in Angel Heart. The film was nominated for several awards. It was seen as controversial by some owing to a sex scene involving Cosby Show cast member Lisa Bonet, who won an award for her part in the film. Although some of Rourke’s work was viewed as controversial in the U.S., he was well-received by European, and especially French, audiences, who loved the “rumpled, slightly dirty, sordid … rebel persona” that he projected in Year of the Dragon, 9½ Weeks, Angel Heart, and Desperate Hours.
In the late 1980s, Rourke performed with David Bowie on the Never Let Me Down album. Around the same time he also wrote his first screenplay, Homeboy, a boxing tale in which he starred. In 1989, Rourke starred in the docu-drama Francesco, portraying St. Francis of Assisi. This was followed by Wild Orchid, another critically panned film, which gained him a nomination for a Razzie award (also for Desperate Hours). In 1991, he starred in the box office bomb Harley Davidson and the Marlboro Man as Harley Davidson, a biker whose best friend, Marlboro, was played by Don Johnson. In his last role before departing for the boxing ring, Rourke played an arms dealer chased by Willem Dafoe and Samuel Jackson in White Sands, a film noir which reviewers found to be stylish but incoherent.
Rourke’s acting career eventually became overshadowed by his personal life and career decisions. Directors such as Alan Parker found it difficult to work with him. Parker stated that “working with Mickey is a nightmare. He is very dangerous on the set because you never know what he is going to do.” In a documentary on the special edition DVD of Tombstone, actor Michael Biehn, who plays the part of Johnny Ringo, mentions that his role was first offered to Rourke.
